After changing the course of history in "The Waters of Mars", the Doctor must face not only the unforeseen results of his choices, but also the responsibility of altering the world for the better- or for the worse. Now, with power in his hands that he's always known he shouldn't use, he faces the option of going back to change... anything. But where does that stop? And now that he has lost everyone, who will point out the line he has crossed? He's over the border of where rules define his travels through the world, and Here Be Worse Than Dragons: all the terrible things that he hasn't changed. How much does he dare revise, how much can he disturb the universe?
Exploring themes from T.S. Eliot's "The Love Song of J. Alfred Prufrock," this vid displays the burden of such choices in his past and present, and the anxiety of encroaching mortality. Featuring TS Eliot reading the poem (courtesy of HarperCollins Audio), Mogwai's "May Nothing But Happiness Come Through Your Door," clips from the BBC's Doctor Who, and photographs from the Royal Shakespeare Company, the Subaru Telescope, Wikimedia, Ken Carver, and others.
Download (please download, the streaming version is SERIOUSLY not the quality with which I made this)
with music. || without music.
Exploring themes from T.S. Eliot's "The Love Song of J. Alfred Prufrock," this vid displays the burden of such choices in his past and present, and the anxiety of encroaching mortality. Featuring TS Eliot reading the poem (courtesy of HarperCollins Audio), Mogwai's "May Nothing But Happiness Come Through Your Door," clips from the BBC's Doctor Who, and photographs from the Royal Shakespeare Company, the Subaru Telescope, Wikimedia, Ken Carver, and others.
Download (please download, the streaming version is SERIOUSLY not the quality with which I made this)
with music. || without music.
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Date: 2009-11-28 01:07 am (UTC)(So using this! With credit, of course ^_^)
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Date: 2009-11-28 04:42 am (UTC)no subject
Date: 2009-11-28 10:15 am (UTC)no subject
Date: 2009-11-28 04:28 pm (UTC)no subject
Date: 2009-11-28 05:47 pm (UTC)no subject
Date: 2009-11-29 10:29 am (UTC)I have seen the moment of my greatness flicker,
And I have seen the eternal Footman hold my coat, and snicker,
And in short, I was afraid.
which made me catch my breath, and this:
No! I am not Prince Hamlet, nor was meant to be;
Am an attendant lord, one that will do
To swell a progress, start a scene or two,
Where your chosen images were just fantastic (DT as Hamlet, to Harriet Jones... and right up to Ten in a ruff as the fool. Just amazing).
Oh, and
Do I dare to eat a peach?
Made me smile, and half-wish that you'd used John Smith eating a pear - or possibly Ten instructing Martha not to let him eat pears... (Both of which would have been very silly, and not fitting at all, and I loved the scene you *did* use, that gave it a much greater meaning.)
Also loved:
But as if a magic lantern threw the nerves in patterns on a screen
which, along with the last image
Till human voices wake us, and we drown.
was incredibly haunting.
Seriously, fantastic work.
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Date: 2009-11-29 07:47 pm (UTC)Where your chosen images were just fantastic (DT as Hamlet, to Harriet Jones... and right up to Ten in a ruff as the fool. Just amazing).
I was so unsure on that, after the point of the irony of David Tennant as Hamlet, but I had imported The Christmas Invasion just in case I wanted to use a clip for the "I am Lazarus, come back from the dead to tell you all, I shall tell you all" bit. But then that worked there and Fires of Pompeii worked for the Lazarus line, what wiht the stone rolling aside and the other themes involved.
Made me smile, and half-wish that you'd used John Smith eating a pear - or possibly Ten instructing Martha not to let him eat pears...
Aw, I wished I had remembered that bit! I was going with the more traditional interpretation of the narrator wondering how to behave now that he's become old- and putting a twist on it, since Ten is both old, and very new in the Journey's End beach scene. It was interesting, looking for places where I could use but also twist the traditional interpretations- I also wanted to do that with all the parts of "that is not what I meant, at all", since now that the Doctor is realizing there are fixed things that he can change, how very many terrible things he hasn't changed, and if he doesn't, he has to answer to himself why he hasn't if "that is not what I meant at all" for them to be. Hence the pictures from Mt. St. Helens, the Titanic, the Holocaust, Sudan, Hiroshima, Civil War trench warfare, and HIV.
Till human voices wake us, and we drown. was incredibly haunting.
Isn't it, though? He always comes back to that, no matter what omnipotence he displays- eventually, the humans that are important to him say no, you're not right and he comes crashing down again.
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Date: 2009-11-30 05:20 am (UTC)And what an epic! Sheesh. :P I really admire the fact that you got the idea and went for it because no one would have done it otherwise. You were very attached to it and it really just played out like something that needed to be said. I'm going to echo YOU and say that this is exactly what fanworks are about! It's probably the most unique post WoM vid I've seen. Brava!
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Date: 2009-11-30 04:35 pm (UTC)no subject
Date: 2009-12-03 12:43 pm (UTC)Seeing Ten in the Christmas Invasion episode, picking out his coat and checking his teeth, actually made my heart squeeze painfully for a moment. Because it's been such a hard road, so many losses, and you illustrate that very well here. So good job, you. :)
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Date: 2009-12-03 01:54 pm (UTC)no subject
Date: 2009-12-09 08:55 am (UTC)I'm definitely recommending this. It's an interesting journey and well-worth the amount of work I'm sure went into it. Thank you for bringing to life a very unusual idea in fandom. Poetry is underused these days, and it was a joy to get to see it blended with one of my favorite shows.
no subject
Date: 2009-12-09 04:36 pm (UTC)